Statement:

Art — and sculpture in particular — has always been a part of my life. As a child, I spent countless hours in my father’s architecture studio, surrounded by sketches, models, drafting tools, and the quiet focus of creative work. His intuitive understanding of space, light, and proportion has profoundly shaped the way I approach my own artistic practice today.

I’ve always been drawn to the abstract and the essential — to artistic languages that are both powerful and restrained. In my sculptures, I seek a dialogue of contrasts: between the linear and the organic, the geometric and the asymmetrical, the static and the mobile. These tensions give rise to forms that seem to grow, expand, or shift — as if caught in a moment of silent transformation.

I often give my sculptures a calm, raw, and rustic surface — not to decorate, but to let the form speak. I’m fascinated by the interplay between shape and color: when the surface enhances the form, and the form, in turn, reveals the vitality within the color. Light plays a central role — tracing edges, casting shadows, and animating stillness.

Through clay, I search for balance — not only between art and design, but between intention and intuition, silence and expression.